Embodied Cognition | Tashinga Majiri | Nyasha Marovatsanga | Lulama Wolf

Tashinga Majiri (b. 1993, Zimbabwe) graduated in 2019 with a Diploma in Fine Art from the National Gallery of Zimbabwe school of Visual Art and Design, specializing in painting and printmaking.

Over the past couple of years, he has been working to develop his own approach which blends painting and printmaking together, working with monotypes on canvas interlaced with painting and spray paint.

As a poet he is also interested in the engagement that is possible through subtle incorporation of automatic writing in his canvases, His works float in and out of figuration and have the quality of day dreams, an escape from the here and now into art and its possibilities.

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Lulama Wolf (b. 1993) is a visual artist who lives and works in Johannesburg, South Africa.

At the intersection of Neo-Expressionism and Modern African Art, Wolf interrogates the pre-colonial African experience through the contemporary mind by using smearing, scraping, and deep pigment techniques that were used in vernacular architecture, and the patterns created largely by women to decorate traditional African homes.

History and the proof of life are the core concepts in her work. Where there has rarely prior been reference of life in black spirituality, she counters that narrative by creating two dimensional paintings to embody the simplicity and deep spiritual power of the native eye. Her motivation is both tender and protective of her imaginary world, and her symbolic view of how her world looks into an alternate universe. She is set on creating both a photographic and graphic experience, that morphs and shapeshifts into a higher dimensional plane.

"My work carries my spirit, before it carries a message. My intuition plays a vital role in the direction I go and then I compartmentalise with what I prioritise. I represent different parts of my self including abstraction, curiosity, mythology, spirituality and introspection. Blackness is vital in my work because it is created by a black woman despite the medium or language it speaks, it is vital because proof of existence is rare in the black community, information is shared but isn’t sustained in ways that are knowledgeable to us right now. I express my yearning for answers and clarity in ways that make my blackness clear even when the work is abstract. My practice embodies subtlety in a form of texture and expression, a curious mix of ambiguity and curiosity. I experiment with different textures and moulds that are formed from the earth."

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