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Wild Natural Setting
JOHNO MELLISH
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Here is a set of pictures that includes landscapes, nudes, spectacle, and animal encounters. Natural forms that invoke human forms, forms that are shaped, unshaped, and reshaped. The title, Wild Natural Setting, arose from an online advertisement for holiday accommodation around the Garden Route. The area’s comparison to the Garden of Eden suggests a paradise and the ending of a paradise; a wild collision between leisure and chaos, between rest, death, and eulogy.
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A ghostlike child looks into the camera as her mother lies supine under a sheet. A serpent slithers across a work desk. A man takes shade under a tree. In all of these images, there is an atmosphere of the familiar made strange. There is archetype, iconography, ambiguity, and mundanity.
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A week in heaven, or just a long week. The brochures advertise unspoilt dreams, deep ventures into the heart of Eden, a wild natural setting. Seven days on holiday, or seven days to make a world. Got there and read the hotel bible. Thought I was in Eden.
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Slowness and its opposite propose a tension in the work, lending resistance to the insane pace and immense overproduction of the medium today. The pictures themselves are interested in reviving the relevance of rest and ultimately, death — in a time where images die just as quickly as they are produced.
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